Interview with Comic Writer Rachel Deering

I’m a superhero comic kinda gal, but this is my second interview with a horror writer this month, and I’ve gotta say, this is stuff is great. Rachel Deering‘s writing is top notch, and the art that accompanies it is totally strong (perhaps even as strong as the  female protagonist of Anathema, which, by the way,–and I just figured this one out– isn’t simply a cool, creepy sounding name, but actually means something relevant. Look it up). Quite frankly, I’m honored to have had the opportunity to interview such a successful female comic writer:

Convince us, in one sentence, that your comics are awesome.

Following the age old advice of “write what you know”, I make comics about lesbians, werewolves, tortured souls, and fucked up dreams.

What is your favorite comic or graphic novel?
The Warren Publishing books are my favorites. Creepy, Eerie, Vampirella, etc.
What (or who) inspired you to begin creating comics? Why did you begin writing and creating comics?
I started making my own comics after repeatedly reading and re-reading the small stack of horror books given to me by my uncle. When I could recite those stories from front to back, I knew it was time for some new terror tales, and the only way I would get those is by creating them myself. There were definite drawbacks to living, quite literally, in the middle of nowhere.
If your comics had a soundtrack, what songs/artists would it include?
Sopor Aeternus & The Ensemble of Shadows, Devil Doll, Miasma and the Carousel of Headless Horses, and Hammer horror movie soundtracks.
You did some editing for the Womantholgy book. How does wearing the editor’s hat influence your writing?
Having an editorial background, I tend to consider all aspects of creation when I’m scripting. I can see the panels in my mind, how they should be laid out, where the lettering will go, how the words and images will flow together and lead the eye down the page. I’m extremely mindful of each element and how it will work within the overall composition.
We don’t often see strong female leads in comics, especially not lesbians, like the main character in your horror comic, Anathema. When you decided to write a comic with a lesbian lead, did you have any concerns about how it might be perceived or pegged by readers, reviewers, etc?
Not any more than I’m concerned about how people will perceive me. I’m a lesbian, myself, so I was just writing what I know. I don’t tend to think about my sexuality much. I’m sure other people do, and some of them may even work themselves up into a frenzy about it, but I couldn’t care less. If you let yourself get upset over something so simple and irrelevant to your every day life, you should probably just stop reading comics altogether.
What path led you to becoming a professional comic writer?
The intense and undying need to tell stories. I honestly have so many ideas rattling around in my brain at any given moment, I can’t think about much else. Day jobs were terrible because of how much I would daydream about these fantastic characters and settings in my mind. Eventually, I had to give up the steady paychecks and chase my dreams. Luckily, my wife has a really good job, so we have enough money to pay the bills and keep health insurance.
What was most intimidating about breaking into comics, and what tips would you give others who are hoping to break in as well?
For me, it was that nagging uncertainty that comes with most creative brains. Constantly doubting myself and my abilities. Worrying about whether or not my stories were good enough for other people to read. I was constantly telling myself to give up the charade and go running back to the day jobs. That whole thing has subsided a bit, but not completely. For others who might be in that particular mindspace, I’d say just keep working and turning out stories. Not every story is going to be a hit, and maybe the majority of them will be crap, but you’ll eventually turn out that one idea that really works for you.
Like many comic creators today, you used Kickstarter to fund Anathema. Can you take us through the process—from idea to publication—for making Anathema a reality?
It’s a dreadfully long story, but here are the basics: I was taking a shower and the idea came to me. I told some artist friends of mine, and they all said it would be an impossible sell. I didn’t listen to them. I self financed three pages of art and took those to kickstarter. I raised enough money for issue 1 and released that to the world. The story was well received, so I went back to kickstarter to finance the remaining issues in the series. Now, here I am, waiting (im)patiently for issue 2 to be finished.
How do you think the experience of comic creating and publishing differs for men and women (if it does at all)?
I’ve never tried publishing as a man, so I don’t think I could provide any sort of clear comparison. I would HOPE that the experience is not at all dissimilar from one gender to the next. I know I don’t think about what’s between my legs or under my shirt when I’m writing. I’m just telling the stories that need to be told.
What is your next project?
I currently have seven projects in various stages of production. There will, of course, be further issues of Anathema. I’m also working on my all ages book The Other Side, a whole host of anthology stories, a capes and tights one-shot, and a dark fantasy/adventure/humor series. Like I said before, lots and lots of ideas rattling around between my ears.
Is there anything else you’d like to add?
Don’t listen to the hype. Don’t believe anything anyone tells you. Every single person makes their own way in life and uses experiences and lessons in a different way. If you’re trying to live your life by the mistakes and successes of another person, you’re almost certain to fail. Or come out the other side a copy-cat, which is probably worse than failure. Be yourself and tell the stories only you can tell.
Advertisements

Interview with Comic Writer Kara Barrett

It’s not every day that I stumble upon a comic that 1. has a strong female lead 2. has awesome art 3. involves fighting, superpowers, and other such kick-ass elements. Kara Barrett’s The End Is Totally Nigh gets a little checkmark for each of my qualifications for a throughly enjoyable comic book read. And there’s a lot to learn from Ms. Barrett, who made her dream comic happen through the help of Kickstarter, hired artists, and a ton of hard work. In this interview, she shares her experiences and advice for those looking to get their comics out into the world. (Oh, and check out a preview of the comic here.)

Convince us, in one sentence, that your comics are awesome.

The End Is Totally Nigh is one BIG burrito-wrapped apocalypse of awesome filled with hellfire, horseheads, heroes and demons! How’s that?

What is your favorite comic or graphic novel?

My favorite comics right now are Rachel Rising and Saga. But I’m always looking for new titles. You have any recommendations for me? I’ve also backed a few on Kickstarter that I can’t wait to read.

What (or who) inspired you to begin creating comics? Why did you begin writing and creating comics?

I read comics when I was a kid and then stopped. When Buffy went to comics, I picked up a few copies and fell back in love with them. A few years ago I started writing this story in a loose format. I looked at different mediums for my story, and ultimately decided that comics were the way to go. I think they are a great way to put your story into people’s hands.

Tell me about  The End Is Totally Nigh.

The End Is Totally Nigh is a story about a girl with mysterious abilities who is trying to stop the impending apocalypse. She suddenly has the ability to exorcise demons, but it isn’t sure how or why she is able to do this. All she does know is that the demon army is about to rise and Lucifer is going to walk the Earth. It’s up to her and a group of ragtag demon hunters to try make sure that doesn’t happen. It’s a supernatural story filled demon bad guys and plenty of apocalyptic drama. I think readers will really enjoy it.

If your comics had a soundtrack, what songs/artists would it include?

The End Is Totally Nigh playlist? Yes, I’ve got to create that!  I think there’s some country music on that playlist. T-R-O-U-B-L-E and Amarillo by Morning for the main character Jane. And Thunderstruck. That’s a must. I’ll have to ponder on the rest.

Why did you decide to write a comic with a strong female lead? When I began work on my own graphic novel, Fusion, I purposely wanted to break gender stereotypes so prevalent in superhero comics. Were you motivated at all by a similar “feminist” objective?

I definitely wanted strong women in this comic. The End Is Totally Nigh is filled with great female characters who take charge. They are also drawn in a more realistic manner than a lot of what you see in today’s comics. I hope that is a refreshing change for some readers.

You used Kickstarter to fund The End Is Totally Nigh. Would you use Kickstarter again to fund another project? Why did you choose to use Kickstarter in the first place?

I heard about Kickstarter and decided to try it as a last attempt to make this series happen. It was a lot of work but totally worth the effort. I think crowdsourced funding is helping a lot of indie writers get their stories to public. I think that means we can expect a lot more variety in comics and graphic novels. I would definitely try it again and may do so very soon. The End Is Totally Nigh is funded from my own pocket, so I will be in need of an influx of cash soon to keep the series going. 

What was most intimidating about breaking into comics, and what tips would you give others who are hoping to break in as well?

I think I read something recently where someone said, there is no such thing as ‘breaking’ into comics anymore because of sites like Kickstarter. If you have the gumption, you can just go out there and MAKE a comic. I think that’s true. Write a story you believe in, find an artist and get your funding. Anything is possible!

What advice would you give other aspiring comic artists and writers in regards to getting their stuff published? What are the pros and cons of self-publishing?

Self publishing is a lot of work, especially if you are new to the business and no one has ever heard of you. But the upside is that if you self-publish you can keep all of the profit. If you have the time and money to devote to self-publishing, then go for it. Personally, I am juggling full time work, freelance work and writing and promoting this series. My plate is pretty full. I have recently found a small indie publisher willing to help distribute the title. I hope to be able to announce who that is very soon. Once I have more experience I may pitch a new book to a big publisher and see if gets picked up. Ultimately, I think it’s really just a matter of what you have the time and money to accomplish.

How do you think the experience of comic creating and publishing differs for men and women (if it does at all)?

I really don’t know. This does seem to be a male dominated industry, but that is changing. Kickstarter and sites like that are giving a lot of female writers a chance to create and publish their own projects. That is really exciting. I’m glad to be a part of that.

What is your next project?

I have two in the pipeline. One is a mini series and the other is a one issue horror story. I hope to get the funds to do one or both of them later this year. Right now I’m devoting my energy to getting my series off of the ground and hopefully hitting some cons this year.

Is there anything else you’d like to add?

Please visit  our Facebook page and “LIKE” us so you can keep updated on news, release dates and information about the series!

Ending Abuse Through Art

How has abuse (in all its various forms: domestic, sexual, financial, emotional) affected your life? Stop and think, and you will realize that everyone is somehow affected by abuse.

But there is hope! Together—through the power of art and entrepreneurship—we can work to empower those who have suffered from abuse. Abuse survivors are courageous, powerful, and amazing individuals who deserve to be recognized for their artistic creations. The Uncovered Artistry Project, a nonprofit online gallery that features the work of domestic and sexual abuse survivors, is hosting An Art Show to End Abuse.

Please consider donating (even as little as a dollar) to our Kickstarter campaign to help fund the event. This event can only happen with your help! Seriously, your donation will make a huge difference for this little nonprofit.

And please consider submitting your work to the event:

Art Work Submission Guidelines for The Uncovered Artistry Project: An Art Show to End Abuse

The Project is accepting all forms of art and fine crafts, including (but not limited to), painting, drawing, sculpture, jewelry, and ceramics. All work must be a reflection on or a response to the following themes: Domestic and Sexual Abuse, Breaking the Cycle of Abuse, and The Empowerment of Art.

Work may be listed for sale at the event, but 50% of the sale price will be donated to the Uncovered Artistry Project. The submission deadline is April 15th.

All submissions must include: Name (anonymous is okay), title of work, artist statement (optional), sale price (optional). Contact me (angiespoto@mail.com) to arrange pick up/shipping.

Thank you loyal followers for you support!

Best,

Angie Spoto

Editor of Ms.Comix

Founder of The Uncovered Artistry Project